sosumi weaving

handwoven textile design

Getting Ready for a Show- Redux

Pamela WhitlockComment

Well here we go again!

Please join us when we take our work on the road for our first show of the year! We will be showing our work at the esteemed American Craft Council Show in Baltimore, Maryland next week, February 22-24, 2019. Take a peek at their incredible website for a look at some of the other artists showing their museum-quality work. ( You’ll find us tucked into our cozy booth (305) filled with color and texture. This year we will be reviving an oldie-but-goodie and adding a couple of pompom pieces, as well as several new designs.


Getting Ready for a Show

Pamela WhitlockComment

This is what it looks like getting ready for a show..... Here you see the contents of "show worthy" pieces Pamela was packing up before we embarked on our first show of the season to Lake Oswego, Oregon a few weeks ago.  The scarf box (110 scarves are in there!) were transferred to two big suitcases.  The camo bags have three king-sized quilts and the plastic bags (vacuum sealed) hold about ten of our new pillows.  And all of this plus our actual booth structure and four concrete booth weights still fit into the back of our Jeep Commander. 

Summer Shows... Here We Come!

Pamela WhitlockComment

We would love, love, love to meet you somewhere along our summer tour! Here is a list of where we will be:

Lake Oswego, Oregon.......6/22 - 6/24

Jackson Hole, Wyoming........7/13 - 7/15

Park City, Utah.........8/3 - 8/5

Sun Valley, Idaho....8/10 - 8/12

Kings Mountain (Woodside, California)...... Labor Day weekend, 9/1 - 9/3

The Plaza Art Fair (Kansas City, Missouri)....9/21 - 9/23

Did We Mention We Now Have Pillows?

Pamela WhitlockComment

We are so excited to announce that we have a line of beautiful/handsome pillows available. We did a "soft opening" of them at our locals-only Christmas show in Jackson last year. People had so much interest in them that Richard decided to go ahead and produce many more and they made their official debut last week at the ACC show in Baltimore where they were very well received. We can make them according to the colors/patterns you like.... you can buy one or a dozen. Make our day! You won't be disappointed.

And It's Off to the Races!

Pamela WhitlockComment

Every year, at about the same time, we embark on a cross country trip to Baltimore to take part in the American Craft Council show. We've been doing this show for nearly thirty years and if you have never been, you might want to consider checking it out. It is an indoor show with hundreds and hundreds of "museum quality" crafts. We store our booth at a friend's home which allows us to fly in, rent a car (our preferred rental is a Chevy Impala because of the size of the trunk), and we commute back and forth from northern Virginia up to B'more. You're probably wondering how we get our work to the east coast....we can fit seventy-eight scarves into two carry-on suitcases. We leave a couple of quilts at our friend's home and this year we had a box of pillow inserts shipped there and Richard will carry sixteen pillow covers in his backpack. We have this all worked out. So tomorrow afternoon we will be flying out of the most beautiful airport in the world (!)....Jackson Hole, WY. We'll be flying out in wind and snow and landing in DC in rainy and mild weather. 

In the meantime check out the show:

We will be posting our 2018 line at the beginning of March.


Our Lives in B+W in Seven Days

Pamela WhitlockComment

OK, lots and lots of people are presenting their lives in black and white for seven days. The idea is to challenge others to do the same. It's a pretty easy task with all the filters available on our Camera+ app for our phone. Here we go:

The MOST beautiful hay field ever. Antelope Flats in Eastern Idaho.

The MOST beautiful hay field ever. Antelope Flats in Eastern Idaho.

Beautiful clouds. Looking from Pamela's studio window.

Beautiful clouds. Looking from Pamela's studio window.

Fly-over country. Perhaps Nebraska. Flying back from the ACC show in Baltimore last February.

Fly-over country. Perhaps Nebraska. Flying back from the ACC show in Baltimore last February.

We LOVE to bake and Richard LOVES to bake bread.

We LOVE to bake and Richard LOVES to bake bread.

A stormy sky looking out from Pamela's studio.

A stormy sky looking out from Pamela's studio.

Rambutan. One of Pamela's favorite fruits. Difficult to find in Wyoming but one day the grocery store had them!

Rambutan. One of Pamela's favorite fruits. Difficult to find in Wyoming but one day the grocery store had them!

Just a view from our home.

Just a view from our home.

Pillow Talk

Pamela WhitlockComment

We have been wanting to debut a line of pillows for a very long time. We carry around "quilt swatches" from show to show to let you know what other designs we have created for clients. You have asked us to make a line of pillows and now we have. These are a very generous 22" square with a synthetic down insert. If you've never felt synthetic down you are in for a treat. They are as yummy as down but will hold their shape better. Plus, no feathers to poke through the cover. Take a look! See what you think!

Mid-century modern.

Mid-century modern.


Soooooo, let us know what you think. Any of our scarf designs can be made into pillows. You can choose colors and designs. Easy!

Learning How to Weave an "H"

Pamela WhitlockComment

Sometimes you just want to "reach" a bit, even if you are in the middle of getting orders out. That was the case a few weeks ago for me. I was bored. Pre-summer doldrums. I had warped up my loom with an extra length with which to experiment. Imagine being able to weave letters! Corporate gift ideas exploded in my head! Great birthday ideas! I had the design Square Squared on my loom and after weaving up a bunch of that design I thought I would change it up a bit. Thus became the "H" scarf. It so happens one of my granddaughter's names begins with that letter and so a project was born!

And there you have it!

And there you have it!

Come See Us This Summer

Pamela WhitlockComment

We have our summer schedule all settled! After a few hiccups these past two months we are now looking forward to a lovely summer at these shows.

Jackson Hole, WY..... We do three local shows but this is by far the largest one. Art Fair Jackson Hole. July 7th, 8th, and 9th.

Crested Butte, CO......We haven't done this show in a few years but we love showing here. A small show in a wonderful place. Crested Butte Arts Festival. August 4th, 5th, and 6th.

Sun Valley, ID....Again, we haven't participated in this show in a couple of years but are eager to return. Sun Valley Arts and Crafts Festival. August 11th, 12th, and 13th.

Bend, OR..... Such a great show! We are excited to be returning again this year. Art in the High Desert. August 25th, 26th, and 27th.

We look forward to seeing you somewhere along this Western Swing!



A New Year. Some New Things!

Pamela WhitlockComment

Here we are well into 2017. Right now we are finishing up all the things that go into making up a new line. New color combinations....many! A few new designs....more to come as we add a new, more complex loom to the ones we already have. Look for crazy new patterns as we experiment with twice as many possibilities with our new-to-us 16H loom. We hope to have it here by March and up and running by April.

We have finished weaving all we can do in time for The Big Show: American Craft Council show in Baltimore. This will be our 28th year and one that we really enjoy doing as long as the weather cooperates on both ends. Our work has been woven, washed, and dried. It has been labeled and tagged and even photographed. All that is left is to pack it up in our two carry-on bags. We hope we will be able to fit everything in. Flying out of Jackson Hole into DC where we store our booth...and get to stay with friends. We will become morning commuters for five days as we drive a rental car from Northern Virginia up to Baltimore, a trip that generally takes about fifty minutes.

Fingers crossed it all goes well!

(A sneak peek at some new work on the loom.)

New Updated Website.....At Last!

Pamela WhitlockComment

Here we are almost at the end of the year. This summer just flew by! Company in June/July and shows in August/September put us on the road from Jackson,WY to San Francisco to Park City,UT to Bend,OR and finally Portlandia. We even ate our way up the Oregon coast in between shows. And miracle of miracles, we were not rained out at any of them.

We are always trying new things here in our studios. Experiments give way to new scarf lines. There is even talk about a pillow line for next year using our beautiful handwoven bamboo material.

And now, at last, we have made it easy for you to shop with us with a convenient shopping cart! Free shipping as well.

So take your time to look around. And, if we can get focused, we will be updating this blog on a more regular schedule. If you have questions we are almost always here. If you have an idea for something you would like but you don't see it on the site let us know and we will try to make it work.

It Has Been Far Too Long.

Pamela WhitlockComment

Sometimes life just gets busy, busy, busy. We have such a short window between the rush of Holiday orders and getting ready for the First Show of the Year. We basically have six weeks to come up with a new line for the new year. Yes, we do carry over patterns that everyone loves. Yes, we do carry over color combos that seem to work. But we always want to try new things, perhaps a totally new pattern or some wild and crazy color combination. Funny thing is that at the American Craft Council show a couple of weeks ago, when the show was open to the public (we had had two days of "to the trade only"), the wildest and craziest scarf went first. Bingo! (If you go onto the New Scarves 2016  page and scroll down to Deep V you will find one in Turquoise and Tangerine. Yep!) 

And besides getting ready for the show Richard received an order for a custom quilt (the design was called Wilder) for a client in Scottsdale,AZ. Just as he posted the series How To Make A Scarf, he plans to post an entry for How To Make A Quilt. Stay tuned as he now has an order for yet another custom quilt (this time a Crazy Quilt with a twist.) 

Scarf orders have been received with more coming in. Hoping for a great year. And if you are wondering what the above photo is....after the Africa scarves are woven the little tassels need to be trimmed. It made for a pretty composition.

Because It Is TBT

Pamela WhitlockComment

Today is TBT so we thought we would add some photos that were taken about a year ago. We were part of a new show put on by the team that produce Cherry Creek Arts Festival. One of the big events at this show was a "fashion show". Of course we wanted to participate! What we didn't know was that we were supposed to provide everything for the models to wear with our scarves. Lucky for us that Mondo from Project Runway allowed our models to use his bodysuits since he was also participating in the show. We suggested to the models that since they were barely dressed under our scarves that perhaps they would also like to remove their shoes. Here you go......

The Beginning Of A Quilt

Pamela WhitlockComment

Just a quick entry to show how a quilt is made....very much Part One. Richard has woven the fabric needed for a specially ordered quilt for a client in Scottsdale. Here's what a pile of cloth looks like after it has been hemmed and before it goes into the washer and dryer. 

It Has Been Way Too Long

Pamela WhitlockComment

Shows, sickness, and holidays have a way of changing routines. It has been way too long since the last post we made back in October. We are now into our long and deep winter. Days are much shorter. The snow that is on the ground now will be with us until the thaw sometime in April. Or May. It is so dark in the morning we rarely get up before 6 am. Time to hibernate? Nah, not us. These are the days that bring us new special orders. Hanukkah (soon!) and then Christmas.... it is always a busy time for us. Richard is building a client a quilt with a new design that we haven't used in a quilt before. We think this should be a real beauty. Pamela is in charge of those special orders and will then begin working on ideas for the 2016 line. It is a very satisfying time.

When she isn't weaving you will find her in the kitchen cooking or baking. Yesterday she made hot fudge sauce for Richard and finally tried her hand at making caramel sauce from scratch for the first time. Success!

Today she made pizza dough and "kitchen sink brownies".

And in case you want to get a sense of what our booth looks like at shows we are posting this one with Pamela in it from the American Craft Council show in Baltimore.

How To Make A Scarf: Part Two

Pamela WhitlockComment

Here is the chain, its individual threads beginning to be tied onto the ends of the previous warp.  Black threads go on first.  The chain is captured on the front beam by an upside down U-shaped hook, its left leg pinning through one of the chain's bights.  From here it goes over to the left, to the vertical pins that maintain the lease cross.


Here is a close-up of the lease cross, the graphic lines showing how the threads cross over one another, keeping each individual thread untangled from the next.  When the warp is combed out just before actually winding it onto the back beam, this detail right here, right now, reduces the hassle-factor BIG TIME.  Small effort up front equals big payoff later on (weaving is chock full of life lessons).


Here is the bamboo yarn for the body color wound onto the warping board.


Here is the body color being tied on.  The black threads (or ends) are all pulled over to the left to get them out of the way.


The warp, both black and body color, is beginning to go over the breast beam and through the reed.  The left half has been literally combed out, enabling it to run freely through the reed and the heddles.  The right half is still as-is, just as it pulls out of the two chains of warp yarn.


Here is the warp as seen from the back side, emerging from the heddles (the white, string-like things), and into the network of the lease sticks.  This gizmo is just a group of sanded dowels that make each thread go up-and-over, down-and-under, etc.  This makes for a consistent tension on each end as it's pulled over the back beam and down onto the warp beam.  Here is where you can see part of the unavoidable waste created by tying on new warps.  The new warp (which you cannot see yet) is tied onto the old green warp, which is in turn tied onto an even older blue warp. Eventually this leftover yarn will build up so much on the warp beam it will all have to be pulled back through, back-to-front, and cut off.  It looks really cool, but we have no idea what to do with it.  All the knots from all the tie-ons make it pretty much unweavable.


Here is the new tan warp coming through.  The regularity of the colors going through the lease sticks is a fairly good indication that the tie-on was done correctly.  It's not a sure thing, but odds are.... Also, this is the third of the four chances to Spot the Knot.  As the ends are pulled through, down, and around, sometimes the irregularity of a knot will be seen.  If a knot is spotted, R makes a note of its color, dent, and scarf number.  At the appropriate time in the weaving process, the flawed end will be cut and pulled, and a proper end put through in its place.  Yes, it's a hassle.  But the bamboo scarf comes out flawless.  You will never know; we won't tell.  (The fourth, and final, chance to Spot the Knot is during the weaving process.  If you see that bad boy coming at you, you have to splice in the repair.  It is a huge hassle, sucking up vast amounts of time, and it does make a short length of double-up yarn that is visible in the finished scarf.  It is not a flaw--a flaw would be a knot left in, barely visible, that would pop sooner or later--but it is an imperfection.  Structurally, the scarf is better off for the repair; but we prefer not to interrupt the clean, crisp geometry of our designs.  It's just an occasional peculiarity of the craft.  That's life.)


The new warp is coming down off the back beam and is about to be wound onto the warp beam.  The remains of numerous past warps are already on the warp beam; you can see the green one going on, the blue under it, a red under that, etc.  We be jammin'.


Here is a detail of the previous image.  Here's where R's practical OCD comes into play, for your benefit.  Pamela winds her warp on just-like-that, pretty as you please--no worries!  Not so much for R.  Here is what he has found he has to do to keep thread tensions all sama-sama.  The frosty thing is a strip of polycarbonate film.  It is there to keep any thread from worming its way down amongst its mates, bollixing up the tension in the process.  There are, truth be told, many irregularities that will, literally, come out in the wash.  But a major tension variation?  Nope.  See?: OCD has an upside.


The warp going on will have two colors of scarves on it: tan and green.  Here we have come to the end of the tan ends.  These ends need to be evened up before we wind and tie on the green body color.  We're just going to take a little off the end.  This won't hurt a bit.


Easy-peasy.  BTW: the cutting mat is bridging between the breast beam and the shuttle rail of the beater.  The mat is sitting right on top of all the black ends.


Here is the warp's second color wound onto the warping board.  We'll chain it up, cut it off, tie it on.

Here is the very end of the entire warp, including the black ends.  Again, we have to trim all of these off in order to complete the front tie-on.


Well, there you have it.  Now you can see why we put in a fudge-factor when winding the black warp (and colors too, to some extent).  The very shortest thread at the end determines the maximum cut-off length of the entire warp.  Generally speaking, pandering to the least is not a good plan; but here it is unavoidable--hence the early workaround to compensate for the less-than-optimal warping board.


Here the warp is being tied onto the front.  P grabs and ties--and has no problem with that; R likes equal-number groups.  Quelle suprise!  


Here we are, all tied on, with the bundles as evenly tensioned as practicable.


Ready to weave--sort of.  Just past the tie-on knots, you see some junk yarn woven in.  The point of this is twofold: even out the spacing of the ends, spreading them out from their tie-on bundles; keep this end of the warp from falling apart when between being taken off the loom and end-stitched. Past the junk yarn R has put in a couple of polycarbonate spacers.  This creates a small length of unwoven fabric which will eventually become the bamboo scarf's fringe.  P uses the traditional torn sheeting for this purpose.  R?  Not happenin'.

As stated: ready to weave, really.  Throw shuttle from right to left; beat.  Repeat.  Throw shuttle from left to right; beat.  Repeat.  Repeat, entire, some hundreds of times and--Bob's your uncle!--a handwoven bamboo scarf!

How To Make A Scarf: Part One

Pamela WhitlockComment

We thought it would be interesting for you, the reader, to see how a scarf is made.  This is, in effect, an answer to the question: How long does it take to weave a scarf?  We reply that the weaving is almost the least of it.  We know that is not an especially lnformative answer.  We hope this photo essay will give you a better idea of what goes into the final result.  BTW, Richard, ever the Type A to the nth degree, is the neater of the two of us so you will see how he does it. (Pamela works a little more "freely"....)

This is where it all begins, on the warping board.  Richard has determined how long the warp needs to be.  The warp threads are the ones that run longitudinally, from one end of the scarf to the other end.  To determine the length, various factors figure in: the number of scarves on the warp (usually five), the waste yarn tying up at both ends, the waste yarn between color changes, the length lost in "take up" (take up is the length lost because a given warp thread does not just go straight from one end to the other; it goes over a weft thread, under the next weft thread, over the next, etc.), and the woven length that will be lost to shrinkage in the finishing process.  By guesstimates and empirical trials, R has created a formula/form for figuring out the necessary length (if we were a larger corporation we would call this an algorithm).  

Bottom line: the warp threads need to be 498" (41' 6") long.  Yes, the fiberglass tape is showing 41' 10".  Why?  Why fiberglass?  It's more flexible than metal, but does not stretch.  Why the extra few inches?  This less-than-optimal warping board does not make all threads (or "ends") equal.  The last turns to go on are considerably shorter than the first ones.  A little fudging here will reduce the hassle-factor later, especially when we run up to a color change.  You'll see.

This is the end peg on the warping board.  The beginning, or starting, peg is in the upper left hand corner of the warping board.  A given warp yarn starts at the beginning, goes to the upper right hand peg, comes down to the next peg on the left side, then over to the next on the right side, etc.  When the length of yarn gets down to the end peg, it is wrapped around (making a U-turn, in effect) then retraces its path back up to the starting peg.  One such roundtrip loop--or "turn"--makes two warp yarns.  This image shows three turns/six warp yarns.

To quote Dirty Harry, "A man's got to know his limitations"  There is no way R is going to keep count of turns in his head.  So: here is a practical expedient.  The turns on the end peg are grouped in convenient bundles: here are two groups of ten turns each (my friend ten?), one of five, and two units (which are waiting for three more, to make five, to be pushed together to make ten).  Easy-peasy: 27 turns/54 ends showing here.

Richard uses an old oatmeal container to hold the cone of yarn.  Why?  The hole in the top regulates the yarn as it goes through the fingertips.  Without this regulation, the yarn would flail about coming off the cone, making the fingertip hold a bit problematic.  So what?  This is the first of four chances to catch knots in the yarn.  We never have a cone of yarn without knots--as in, never/ever.  Why the knots?  We have no idea.  We do not see the point of introducing knots.  In our view, if a yarn breaks going onto the cone, the manufacturer should start a new cone.  Knots by accident?  Really?  This bamboo yarn is bloody difficult to snap.  You have to work at it; might cut your finger in the process.  Poor equipment?  Get better equipment.  Poorly adjusted equipment?  Adjust the equipment.  Inept employees?  Either train or cashier.  (Yes, this is a sore spot with us.)  Back to the fingertip bit: as the yarn passes through the thumb and index finger tip, almost all knots can be detected.  We then cut out the knot, unwind the yarn back to the starting or ending peg, depending; tie on and continue.  As much of a hassle as this is, it is way easier than fixing on the loom.  BTW, our second chance to catch knots is on the warping board.  Sometimes the eye, almost without trying, will catch that irregularity amongst the lines of yarn.  (Edmund Burke would be proud.)  What's the big deal with the knots?  A: they look ugly in the woven piece; B: they are pretty much sure to pop in the finishing process, making an irreparable gap, making an unsellable product.  Plus, if they don't pop, they still look ugly.

Here you can see how there is an "X", aka the lease cross.  This means there is one thread is going up while on its return it will be on the bottom of this "X".  If you have ever faked down a line on a deck so it can play out quickly with no chance of catching a loop, this is a roughly similar concept.  Richard does it this way and it makes for a neater warp, easier to wind onto the loom--a modest investment in mental health.

The black warp has been wound, pulled off all but the first peg, and chained up.  The chain is merely a slip-knot, in a slip-knot, in a slip-knot (bight in a bight, in a bight, etc.).  The only point of this is to keep the individual yarns copacetic with one another.  If even one end (yarn thread) gets seriously out of whack with its buds, a nightmare ensues trying to wind onto the loom.  Again: small precaution = big mental health payoff.  BTW: some fun facts for you numbers fans:  The chain you see here is just for the black ends, of which there are 148, each 498" long.  Total?  About 1.16 mi. of yarn.  Add in the color ends, and the total warp is about 1.9 mi.  In a single scarf, counting the weft yarn: about 3200 feet, more or less.

A quick snip on the other (beginning) end and it is ready to disappear with R, down into the catacombs.  Part Two to follow.

And All Of A Sudden...

Pamela WhitlockComment

We seem to have shifted from Summer right into Autumn. The days are shorter, the light falls differently, it is definitely cooler at night, the aspens are turning gold, the maples in the Canyon have changed to red, and the deer are finding their way back into our neighborhood. Many of the birds have already migrated to points south. We are hurrying to get our outdoor projects finished before the freezing temperatures set in for good.... or at least for the next eight months.

An interesting factoid: As we have mentioned in a prior blog the Textile Museum is one of our great accounts. But what you might not know is that after the work arrives at the museum it is scheduled to be put into the deep freezer for a week to make certain that no bugs are inadvertently brought in. With rare textiles a part of the displays no chances can be taken with fiber-eating moths.

And now for a quick peek at a new design. We are calling it TerriChex after Pamela's bestie.